How does Jennifer Caubet use the traditional technique of lithography, given that her visual practice is based on the use of space? For the artist, the lithographic tool becomes the instigator of research and a method of image-making. Beyond simply discovering the medium, for Jennifer Caubet, space engineer, rigor and precision are combined with a 19th-century tool. At the URDLA workshops, she envisages a meeting between technological installations and lithographs, i.e. the printing of drawings previously made on limestone.

She goes further, experimenting with the interplay of impressions and transfers. Pressed chard and lettuce become imprints on the stone, providing the image, the drawing. This confrontation imposes a radical change of reference points by restoring objects in volume on a flat surface, in this case paper. But this is not an evocation of the trace. Lithography is not a simple tool, but a space for confronting the axes of the printed image and its testimony.