{"id":21567,"date":"2025-03-07T12:27:02","date_gmt":"2025-03-07T11:27:02","guid":{"rendered":"https:\/\/www.jousse-entreprise.com\/art-contemporain\/?post_type=publications&#038;p=21567"},"modified":"2025-03-07T13:05:13","modified_gmt":"2025-03-07T12:05:13","slug":"clement-borderie-le-laisser-faire","status":"publish","type":"publications","link":"https:\/\/www.jousse-entreprise.com\/art-contemporain\/en\/publications\/clement-borderie-le-laisser-faire\/","title":{"rendered":"Cl\u00e9ment Borderie. Le laisser-faire"},"content":{"rendered":"<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>&nbsp;<\/p>\n<p>Galerie Jousse Entreprise edition<br \/>\nArtistic direction and graphic design : Vale\u0301rie Gautier<\/p>\n<p>soft bound book, 21 x 26 cm<\/p>\n<p>2025<\/p>\n<p>isbn 978-2-9518449-9-5<\/p>\n<p>authors : Bernard Lamarche-Vadel, Estelle France\u0300s Lassere, Christiane Germain, Guillaume Loge\u0301, Olivier Kaeppelin, Camille Paulhan, Domitille D\u2019Orgeval, Daniel Lebard, Ghislaine Rios, Philippe Jousse.<\/p>\n<p>bilingual French \/ English<\/p>\n<p>256 pages<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>This book presents the artistic approach of Cle\u0301ment Borderie (1960, Senlis) from his early works in the 80s to his most recent works dating from 2024. The monograph is divided into three parts, which retrace the artist\u2019s research in a non-chronological order: deposition &#8211; impregnation &#8211; appropriation.<\/p>\n<p>The first chapter, <em>de\u0301position<\/em>, opens on Cle\u0301ment Borderie\u2019s research since the 1990s to define the exchanges between a form and its environment over time, to reveal the invisible elements that coexist in it. The process involves placing a raw cotton canvas in a pre-selected environment on a matrix, a structure designed to hold the canvas during a gestation period. The canvas becomes a photosensitive surface that captures and feeds on ambient particles: sun rays, moon rays, atmospheric precipitations, pollution, pollens&#8230;<br \/>\nThe <em>impregnation<\/em> process described in the second chapter defines the practice of installing cotton canvas on pre-existing forms in the environment (tree trunks, wells, roofs&#8230;), which then become matrices. In this way, the work carried out by Cle\u0301ment Borderie develops a symbiotic relationship with the environment, disrupting that environment as little as possible.<\/p>\n<p>Cle\u0301ment Borderie\u2019s interest in all forms and surfaces that bear witness to the passage of time lies at the heart of his practice. He initiates an action of <em>appropriation<\/em> of these manifestations, which is developed in the third chapter. While wandering around, the artist notices objects and textures that he appropriates and designates as works of art. People receptive to his approach (craftsmen, retailers, farmers, etc.), also voluntarily pick up pieces in complicity with the artist choices and thus become participants in the creation of the works.<\/p>\n<p>Several texts punctuate the iconographic presentation to offer a reading of this work at the crossroads of different temporalities &#8211; with specific commissions for this publication from art historian and critic Camille Paulhan, collector and founder of the France\u0300s foundation Estelle France\u0300s Lassere, art and environmental science historian Guillaume Loge\u0301, collector Daniel Lebard, gallerist Philippe Jousse, and writer Olivier Kaeppelin in an interview with the artist &#8211; as well as previously published texts by art critic Bernard Lamarche-Vadel (1989), gallerist Christiane Germain (2003), art historian and curator Domitille d\u2019Orgeval (2020) and physicist Ghislaine Rios (2020).<\/p>\n<\/div>\n<p>With the support of CNAP Centre National des Arts Plastiques<br \/>\nWith the support of Daniel Lebard, Estelle et Herve\u0301 France\u0300s Lassere &#8211; La fabrique de l&rsquo;Esprit, Alain Perrier, fondation Schneider, Studio Interface, Patricia et Philippe Jousse.<\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":21558,"parent":0,"template":"","class_list":["post-21567","publications","type-publications","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cl\u00e9ment Borderie. 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