From printed objects to monumental structures, from public spaces to white cubes, Jennifer Caubet’s work affects the contexts in which it is assembled, disassembled, stretched and extended, constructed and deconstructed.<\/p>\n
This book retraces fifteen years of the artist’s production through the various stages that punctuate her practice: from the study drawing to the exhibition, via the daily work in the studio and the various skills shared.<\/p>\n
An interview with Sarah Ihler-Meyer sets the framework for her practice, which Annabela Tournon Zubieta and Isabelle Reiher examine in two essays. Pedro Morais underlines the political roots of the pieces presented in the exhibition Deux ou trois choses que je sais d’elle in 2023 at Jousse Entreprise.<\/p>\n
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