2016<\/p>\n
4K film, HD transfer, stereo sound<\/p>\n
11 min. 27 sec.<\/p>\n
avec Jean-Pierre Le\u0301aud & Jose\u0301 Levis Pic\u00f3n Saguma<\/p>\n
<\/p>\n
El Brujo<\/em>, which means \u00ab the wizard \u00bb in Spanish, is also the name of a Mochica archeological site. It is on this Peruvian beach that Louidgi Beltrame shot a part of his movie. The curandero<\/em> (shaman) Jos\u00e9 Levis Pic\u00f3n Saguma is performing a re-enactment of Fran\u00e7ois Truffaut\u2019s 400 blows<\/em> (1959) last sequence. In that sequence, the young hero, Antoine Doinel, interpreted at the time by iconic \u201cnouvelle-vague\u201d actor Jean-Pierre L\u00e9aud, is running away in direction of the ocean. Right after performing a Mesa<\/em> (a psycho-active San-Pedro cactus related traditional healing ceremony) Jos\u00e9 Levis Pic\u00f3n Saguma is taking care of the vacant space left into the cinematographic apparatus by the actor whom was sick at the time of the shooting and thus was forced to remain in France. Feeling better soon after this magical operation, Jean-Pierre L\u00e9aud has been shot drifting through the streets of Paris, following a trajectory which is superimposing his memories from the 400 blows<\/em> original shooting with his own \u201cNouvelle-Vague\u201d subjective history.
\nThrough these transpositions, Beltrame orchestrates a series of shifts, with a migration of characters, patterns and eras. The geometric lines of the pyramids and excavations of the Peruvian landscape are echoed in the structure of the film\u2019s editing, with tracking and panoramic shots, and are highlighted by the synthetic modular music of the track Triangle<\/em> (1979) by Jacno.<\/p>\n","protected":false},"featured_media":3990,"menu_order":0,"template":"","class_list":["post-3647","oeuvres","type-oeuvres","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\n