Florence Dol\u00e9ac\u2019s work issues from meeting points. Between form and function, interior and exterior, the new and the used, the removed wit of titles and a concern with what lasts, we find the collective\u2019s personal expression: its pieces deal as much with dreamlike and private appropriation as with an ethical line of thinking about the making of our most ordinary objects. The Maximum members base their work on the notion of \u201cover-cycling\u201d (surcyclage). While recycling destroys an object and just hangs on to the materials, over-cycling preserves existing objects to create new functions from them.\u00a0Maxidodo\u00a0is the title of this work, declined in three unique pieces of different shapes and colors (red, blue and green). These three beds are signed jointly by Florence Dol\u00e9ac and Maximum and published by the Jousse Entreprise gallery, Paris. The beds come from \u201cVauban\u201d barriers, used in public places to channel and \u201cpark\u201d crowds.<\/p>\n","protected":false},"featured_media":6286,"menu_order":0,"template":"","class_list":["post-8235","expositions","type-expositions","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\n