{"id":19844,"date":"2024-03-12T15:46:03","date_gmt":"2024-03-12T14:46:03","guid":{"rendered":"https:\/\/www.jousse-entreprise.com\/art-contemporain\/?post_type=expositions&p=19844"},"modified":"2024-04-03T16:45:29","modified_gmt":"2024-04-03T14:45:29","slug":"lecorce-des-choses","status":"publish","type":"expositions","link":"https:\/\/www.jousse-entreprise.com\/art-contemporain\/en\/expositions\/lecorce-des-choses\/","title":{"rendered":"l’\u00e9corce des choses"},"content":{"rendered":"

Galerie Jousse Entreprise is delighted to announce the group exhibition l’\u00e9corce des choses<\/em>* with a selection of works by Nathan Bertet, Simon Martin, Masha Silchenko and Xolo Cuintle.<\/p>\n

 <\/p>\n

\u00ab\u00a0Ce sera comme un souvenir
\nqui s\u2019ouvre \u00a0 \u00a0 \u00a0 ce sera une main
\n<\/span>avec de longue lignes enchev\u00eatr\u00e9es
\n<\/span>la langue de nos destins
\n<\/span>impossible \u00e0 lire ce sera
\n<\/span>la sensation du corps
\n<\/span>dans les humeurs de la terre\u00a0<\/span><\/p>\n

ce sera comme une soif de clairi\u00e8re
\n<\/span>dans le fracas des ombres
\n<\/span>l\u2019empreinte d\u2019un avenir
\n<\/span>plus haut que la for\u00eat \u00a0 \u00a0 \u00a0 ce sera
\n<\/span>l\u2019\u00e9pine ind\u00e9cise
\n<\/span>entre l\u2019\u00e9corce et le noyau\u00a0<\/span><\/p>\n

ce sera un peu de lumi\u00e8re
\n<\/span>pour d\u00e9cider du paysage\u00a0\u00bb<\/p>\n

H\u00e9l\u00e8ne Dorion, Mes for\u00eats, <\/i>\u00e9ditions Bruno Doucey, 2023<\/p>\n

 <\/p>\n

It will be
\nThe sensation of body\u00a0against body. A suspended dance.
\nIn the depths of Simon Martin\u2019s forest, walkers are floating, almost unnoticeable in the haze of memories. Their skins brush against each other, electrified, before melting into a nebulous, uncertain embrace. Trees, here violet-green, there ominous blue, lose their roots in the vibrant magma of the undergrowth.
\nTwo daffodils shimmer in the emerald obscurity, lonely Narcissus of the late winter.
\nAt the edge of his painting, two figures brighten in the moonlight, only to fade away in a single pulse.<\/em><\/p>\n

It will be
\n(…) the imprint of a future\u00a0for accomplice species.
\nXolo Cuintle\u2019s sculptures recount the origin of joint fates. Interdependent relationships between insects and plants emanate from the ceramic bas-reliefs through the voluptuous curves of the concrete. In an ornamental path arose the symbiose between a butterfly and an oregano flower, host plant becoming a cradle for the larvae. In the Arum\u2019s spathe, midges are held overnight, before being released in the morning to pollinate the nearest inflorescences.
\nXolo Cuintle\u2019s resilient Herbarium weaves in the nooks of the floor, through the vein of wood if not in the bark of a column.<\/em><\/p>\n

To decide on the landscape, Nathan Bertet crisscrosses the roads and paths of a cherished place, one that never seems dull.
\nOver the seasons and on the rhythm of his memory, his small-format painting impregnates all the elusive variations of his hometown\u2019s scenery. Nathan Bertet portrays the suburbans contours of Palaiseau and its forest – not quite real, not quite dreamt. Layers of oil and finely blended pigments coat the canvases – almost daily – with the successive moods of an undulating nature.\u00a0<\/em>And while the watercolor on his notebook sheets emerges in a perhaps instantaneous movement, its surface is imbued with the aspirations of water and ink to reveal palpable glimpses of everyday\u00a0life.<\/em><\/p>\n

In the soil\u2019s spirits, Masha Silchenko makes flowers and words weep. Spectral, her creatures and objects appear in the bleach of the canvas. As a sunflower seeking light in the darkness, her works depict troubled souls in the innocence of night. The funereal atmosphere of her work contrasts with the lightness of the supports. Suspended by delicately twisted floral wires, the canvas floats, while the ceramic pieces open and freeze. Her spaces unfold like fragments of inhabited daydreams, where the brilliance of the material contributes to the tension, or rather extension.<\/em><\/p>\n

Soon, it will be.<\/em><\/p>\n

 <\/p>\n

Sarah Nasla, Camille Vaillier et Mathilde Vie-Binet<\/p>\n

 <\/p>\n

Thanks to the artistes and Galerie DS (Paris) and Import Export gallery (Warsaw) for the loan of the works.<\/p>\n

 <\/p>\n

Photos: Max Borderie<\/p>\n","protected":false},"featured_media":20151,"menu_order":0,"template":"","class_list":["post-19844","expositions","type-expositions","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nl'\u00e9corce des choses | exposition collective | Jousse-entreprise | Art Contemporain<\/title>\n<meta name=\"description\" content=\"group show "l'\u00e9corce des choses" Nathan Bertet, Simon Martin, Masha Silchenko, Xolo Cuintle. vernissage March 23, 2024 - galerie Jousse Entreprise Paris.\" class=\"yoast-seo-meta-tag\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jousse-entreprise.com\/art-contemporain\/en\/expositions\/lecorce-des-choses\/\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:type\" content=\"article\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:title\" content=\"l'\u00e9corce des choses | exposition collective | Jousse-entreprise | Art Contemporain\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:description\" content=\"group show "l'\u00e9corce des choses" Nathan Bertet, Simon Martin, Masha Silchenko, Xolo Cuintle. vernissage March 23, 2024 - 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