{"id":19602,"date":"2023-12-20T18:03:13","date_gmt":"2023-12-20T17:03:13","guid":{"rendered":"https:\/\/www.jousse-entreprise.com\/art-contemporain\/?post_type=expositions&p=19602"},"modified":"2024-03-20T18:07:24","modified_gmt":"2024-03-20T17:07:24","slug":"louidgi-beltrame-la-huaca-pleure","status":"publish","type":"expositions","link":"https:\/\/www.jousse-entreprise.com\/art-contemporain\/fr\/expositions\/louidgi-beltrame-la-huaca-pleure\/","title":{"rendered":"LOUIDGI BELTRAME | La huaca pleure"},"content":{"rendered":"
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Depuis 2012, Louidgi Beltrame d\u00e9veloppe une recherche au P\u00e9rou, laquelle l\u2019a men\u00e9 aux g\u00e9oglyphes de Nazca, ou \u00e0 filmer la pratique du curandero<\/em> (gu\u00e9risseur traditionnel ou chaman) Jos\u00e9 Levis Pic\u00f3n Saguma. \u00c0 travers des films, des photos, des encres sur toile et une sculpture, produits pour cette exposition, l\u2019artiste s\u2019int\u00e9resse \u00e0 la figure liminale du huaquero<\/em> ou \u00ab\u00a0fouilleur de tombe clandestin\u00a0\u00bb.<\/p>\n<\/div>\n

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Les huaqueros<\/em> utilisent un ensemble de techniques magiques et vernaculaires afin de rep\u00e9rer les s\u00e9pultures et leurs artefacts dans les ruines de pyramides et de n\u00e9cropoles pr\u00e9colombiennes appel\u00e9es huacas<\/em>. Selon la tradition andine, ces sites sacr\u00e9s sont des personnes. Le huaquero<\/em> doit donc engager une relation de r\u00e9ciprocit\u00e9 avec ces existences \u00ab\u00a0autres qu\u2019humaines\u00a0\u00bb afin de s\u2019attirer leurs bonnes gr\u00e2ces, et pouvoir ainsi acc\u00e9der \u00e0 leurs tr\u00e9sors, notamment c\u00e9ramiques rituelles, parures en m\u00e9tal et textiles.<\/p>\n

Si l\u2019objectif pour le huaquero<\/em> est de vendre une partie des objets trouv\u00e9s, celui-ci op\u00e8re au sein d\u2019un r\u00e9seau d\u2019interm\u00e9diaires complexe incluant faussaires, collectionneurs, mus\u00e9es, mais aussi gu\u00e9risseurs, chamanes et communaut\u00e9s rurales. Apr\u00e8s leurs fouilles, les huaqueros<\/em> se rendent chez un curandero<\/em> pour se faire \u00ab\u00a0nettoyer\u00a0\u00bb. Ils lui offrent alors parfois, en \u00e9change du soin, un objet de la huaca<\/em>. Ces transactions d\u00e9passent alors le cadre purement sp\u00e9culatif et financier, puisque lors de ces c\u00e9r\u00e9monies de gu\u00e9rison collective (mesas curanderas<\/em>), les artefacts \u00e9chang\u00e9s r\u00e9int\u00e8grent le circuit rituel et sacr\u00e9, et redeviennent les agents d\u2019une transmission de savoirs pr\u00e9colombiens.
\nLa huaquer\u00eda<\/em> \u2014 la fouille clandestine \u2014 pourrait donc \u00eatre per\u00e7ue comme une forme de r\u00e9sistance \u00e0 la colonisation et \u00e0 la lecture rationnelle du monde, en permettant d\u2019assurer des liens avec le pass\u00e9. De ce fait, traditions, esprits et anc\u00eatres demeurent vivant\u00b7es.<\/p>\n

Le huaquero<\/em> est consid\u00e9r\u00e9 comme un sp\u00e9cialiste au sein des communaut\u00e9s andines, un genre d\u2019arch\u00e9ologue empirique. Si d\u2019un point de vue juridique son activit\u00e9 est ill\u00e9gale, se pose alors la question de sa l\u00e9gitimit\u00e9 en tant que membre de la communaut\u00e9 locale. En effet, les huaqueros<\/em>, pouss\u00e9s par la n\u00e9cessit\u00e9 et le contr\u00f4le postcolonial ont aid\u00e9 et conseill\u00e9 les arch\u00e9ologues occidentaux en mission d\u2019exploration aux XXIe<\/sup> et XXe<\/sup> si\u00e8cles, eux-m\u00eames \u00e0 la recherche des pr\u00e9cieux objets pr\u00e9colombiens que cachaient les huacas<\/em>.<\/p>\n

On dit que \u00ab\u00a0la huaca<\/em> pleure\u00a0\u00bb lorsque des larmes de sable commencent \u00e0 couler sur les bords de la tombe exhum\u00e9e, et que celle-ci menace de s\u2019effondrer et d\u2019avaler les fouilleurs clandestins. Peut-\u00eatre pouvons-nous assimiler ses pleurs \u00e0 une forme de catharsis lib\u00e9rant mort\u00b7es et vivant\u00b7es des souffrances de la m\u00e9moire coloniale.<\/p>\n

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Vernissage le samedi 20 janvier 2024 de 17h \u00e0 21h, en pr\u00e9sence de l’artiste.<\/p>\n

Visites de l’exposition : 28\/01, 17\/03, et 31\/03 \u00e0 16h (entr\u00e9e libre)<\/p>\n

Samedi 23 mars 2024 \u00e0 16h : conversation entre Louidgi Beltrame et Emanuela Canghiari<\/p>\n

 <\/p>\n

Plus d’informations ici<\/a><\/p>\n

 <\/p>\n

Photos Marc Domage<\/p>\n","protected":false},"featured_media":19710,"menu_order":0,"template":"","class_list":["post-19602","expositions","type-expositions","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nLOUIDGI BELTRAME | La huaca pleure - Jousse-entreprise | Art Contemporain<\/title>\n<meta name=\"description\" content=\"Exposition personnelle de Louidgi Beltrame au CREDAC, "La huaca pleure", du 20 janvier au 31 mars 2024, sous le commissariat de Claire Le Restif.\" class=\"yoast-seo-meta-tag\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jousse-entreprise.com\/art-contemporain\/fr\/expositions\/louidgi-beltrame-la-huaca-pleure\/\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:type\" content=\"article\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:title\" content=\"LOUIDGI BELTRAME | La huaca pleure - 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