{"id":19504,"date":"2023-12-07T18:50:24","date_gmt":"2023-12-07T17:50:24","guid":{"rendered":"https:\/\/www.jousse-entreprise.com\/art-contemporain\/?post_type=expositions&#038;p=19504"},"modified":"2023-12-07T18:50:53","modified_gmt":"2023-12-07T17:50:53","slug":"seulgi-lee-le-donne-con-tre-anime","status":"publish","type":"expositions","link":"https:\/\/www.jousse-entreprise.com\/art-contemporain\/en\/expositions\/seulgi-lee-le-donne-con-tre-anime\/","title":{"rendered":"SEULGI LEE |\u00a0Le donne con tre anime"},"content":{"rendered":"<div id=\"comp-ln38pr8g1\" class=\"KcpHeO tz5f0K comp-ln38pr8g1 wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_7 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Artopia opens a new space, a new location. O<\/span><span class=\"wixui-rich-text__text\">n Thursday, October 26, 2023, was inaugurated the exhibition titled <em>Le donne con tre anime<\/em> featuring the two French artists Ad\u00e9la\u00efde Feriot (Libourne, 1985) and Seulgi Lee (Seoul, 1972), curated by Marjolaine L\u00e9vy.<\/span><\/p>\n<\/div>\n<div id=\"comp-ln38pr8k1\" class=\"KcpHeO tz5f0K comp-ln38pr8k1 wixui-rich-text\" data-testid=\"richTextElement\">\n<p class=\"font_7 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">The exhibition draws inspiration from the first feminist futuristic novel, <em>A Woman with Three Souls<\/em>, written in 1918 by the Austro-Italian artist Rosa Ros\u00e0. This novel addresses issues of women\u2019s emancipation and introduces the concept of the \u201cwoman of the day after tomorrow\u201d as a manifesto opposing the patriarchal discourse of the leader of the futurist movement, Marinetti. The book &#8211; considered the first feminist science fiction text &#8211; follows the journey of Giorgina Rossi, a housewife propelled into the future through a temporal acceleration and then undergoing three successive transformations. These metamorphoses lead her to become aware of her sensuality and desires in the first place, then to liberate her speech and oratory skills, and finally, the third and last metamorphosis involves the realm of artistic creation, projecting the protagonist into a cosmic flight. <\/span><\/p>\n<p class=\"font_7 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Thus, Ad\u00e9la\u00efde Feriot\u2019s imposing velvet<em> Aurora on Mars<\/em> (2023) could come across as a result of this third transformation. The artwork, with its delicate shades of blue and purple inks, is an informal translation of a recently captured by N.A.S.A. sunset on Mars, unique for its blue hue. On the opposite wall is displayed a textile work titled <em>U: voir des \u00e9l\u00e9phants roses<\/em> (2023), by Seulgi Lee. It is a lively geometric composition that appears quite different from Feriot\u2019s blue Martian horizon but crystallizes the same inclination to engage with words and colors. Each blanket in the U series, started by the Korean-born artist in 2014, is an abstract translation of a popular proverb chosen for its humorous tones.<\/span><\/p>\n<p class=\"font_7 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">Beyond their joint role as translators, the two artists also share a strong appreciation for craftsmanship. So formally divergent and yet closely related, the exhibited works &#8211; from large textile pieces to woven baskets and taffeta lamps by Seulgi Lee, to Ad\u00e9la\u00efde Feriot\u2019s bronze sculptures &#8211; have in common the hand as a tool. Upstairs in Artopia\u2019s new exhibition space, Ad\u00e9la\u00efde Feriot\u2019s bronze hands (<em>Sur la cr\u00eate des vagues<\/em>, 2022) inhabit the wall in a spectral gesture and face the hundreds of small abstract sculptures made from colored metal wires (<em>THINGS<\/em>), 2023, designed by Seulgi Lee to be manipulated and held in hand. <\/span><\/p>\n<p class=\"font_7 wixui-rich-text__text\"><span class=\"wixui-rich-text__text\">The dialogue between these two French artists of the same generation generates what the curator defines as a narrative and engaged abstraction, able to combine primary abstract signs with ironic, social, and environmental aspects, asserting its transitive and decidedly contextual dimension. \u00a0The dream of artistic avant-gardes, where art and craftsmanship merge into one, seems to come true through these works.<\/span><\/p>\n<\/div>\n<p>Marojolaine Levy<\/p>\n<p>Images : Matteo Pasin<\/p>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":19488,"menu_order":0,"template":"","class_list":["post-19504","expositions","type-expositions","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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