{"id":14790,"date":"2021-10-19T15:05:42","date_gmt":"2021-10-19T13:05:42","guid":{"rendered":"https:\/\/www.jousse-entreprise.com\/art-contemporain\/?post_type=expositions&p=14790"},"modified":"2021-10-19T15:05:42","modified_gmt":"2021-10-19T13:05:42","slug":"louidgi-beltrame-irene-kopelman-trois-pieges-une-camera","status":"publish","type":"expositions","link":"https:\/\/www.jousse-entreprise.com\/art-contemporain\/fr\/expositions\/louidgi-beltrame-irene-kopelman-trois-pieges-une-camera\/","title":{"rendered":"LOUIDGI BELTRAME | IRENE KOPELMAN | Trois pi\u00e8ges, une cam\u00e9ra"},"content":{"rendered":"
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Louidgi Beltrame et Irene Kopelman sont ici pre\u0301occupe\u0301s par des sites dits naturels dont ils font l\u2019expe\u0301rience, tant de la re\u0301alite\u0301 de leurs repre\u0301sentations que de la repre\u0301sentation de leur re\u0301alite\u0301, au moyen d\u2019outils et de protocoles d\u2019enregistrement spe\u0301cifiques. Une came\u0301ra pour l\u2019un, des pie\u0300ges pour l\u2019autre. Voila\u0300 des outils donc, qui produisent un film \u2013 The Walking Tree<\/em> \u2013 et un ensemble de dessins – Leaf Litter Trap<\/em>, deux \u0153uvres, donc, autant dire deux espaces conceptuels, entre lesquels vient se glisser un texte de Santiago Garcia Navarro.<\/p>\n

Santiago Garcia Navarro (Ne\u0301 a\u0300 Mar del Plata, Argentine. Vit a\u0300 Rio de Janeiro) est e\u0301crivain, chercheur et critique. Il de\u0301veloppe depuis 2008 un essai-fiction intitule\u0301 Winters at a Beach Town. Il enseigne a\u0300 la Torcuato Di Tella University Art and Architecture Schools a\u0300 Buenos Aires.<\/p>\n

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Irene Kopelman, Leaf Litter Trap<\/em>, 2012 31 dessins, pencil on paper, 24 x 24 cm<\/p>\n

Leaf Litter Trap<\/em> est un ensemble de 31 dessins qu\u2019Irene Kopelman a produit lors d\u2019un se\u0301jour de recherche au sein de 2 stations au Panama de la Smithsonian Tropical Research Institution (STRI) – laboratoire scientifique au sein duquel travaillent notamment des biologistes qui e\u0301tudient la fore\u0302t tropicale et les zones humides. Irene Kopelman ayant d\u2019abord de\u0301cide\u0301 de suivre les scientifiques et de s\u2019inte\u0301resser a\u0300 leurs me\u0301thodes de travail sur le terrain, a de\u0301couvert en marchant dans la fore\u0302t de myste\u0301rieux objets \u2013 de petites constructions tubulaires en PVC. Ces objets s\u2019ave\u0300rent e\u0302tre utilise\u0301s pour collecter les ve\u0301ge\u0301taux tombant des arbres – sorte de pie\u0300ges a\u0300 feuilles que l\u2019artiste emprunte alors pour approcher, enregistrer et repre\u0301senter le site selon un protocole expe\u0301rimental.<\/p>\n

\u00ab 13 aou\u0302t. Je de\u0301cidai d\u2019un emplacement tout a\u0300 fait arbitrairement \u2013 je choisis simplement un lieu ou\u0300 il y avait de nombreux arbres, espe\u0301rant que beaucoup de choses en tomberaient. Le jour d\u2019apre\u0300s je trouvai de tre\u0300s petites choses dans mon filet. Je les collectai
\npuis les dessinai, mais je fus un peu de\u0301c\u0327ue de ma prise. Je ne savais pas quelles conditions produiraient une bonne quantite\u0301 de matie\u0300re, donc je continuai. Les jours suivants se de\u0301roule\u0300rent de la me\u0302me fac\u0327on, avec peu de feuilles mortes. Le 4e\u0300me jour, je de\u0301cidai d\u2019installer deux nouveaux pie\u0300ges dans des emplacements diffe\u0301rents, espe\u0301rant que d\u2019autres mate\u0301riaux tomberaient dans leurs filets.<\/p>\n

17 aou\u0302t. J\u2019installai deux pie\u0300ges, l\u2019un sous un arbre appele\u0301 Cecropria (dont je voulais absolument dessiner les feuilles) et l\u2019autre sous un arbre dont les feuilles avaient e\u0301te\u0301 partiellement mange\u0301es par des chenilles, cre\u0301ant ainsi des motifs des plus intrigants.
\nLes neuf jours suivants se passe\u0300rent a\u0300 dessiner le mate\u0301riel tombe\u0301 dans les filets. \u00bb I. K.<\/p>\n

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Louidgi Beltrame, Jadu Ghar<\/em> (House of Magic) n\u00b01, 2014
\nPhotographie noir & blanc, tirage argentique sur papier baryte\u0301 monte\u0301 sur aluminium et bois, 60×40 cm<\/p>\n

Cette image, issue d\u2019un ensemble de 4 photographies, a e\u0301te\u0301 prise dans la section ge\u0301ologie de l\u2019Indian Museum a\u0300 Calcutta avant sa fermeture en 2013 pour re\u0301novation. Cette institution est le premier muse\u0301e indien fonde\u0301 en 1814 par la \u00ab Asiatic Society of Bengal \u00bb. Son premier conservateur, le Dr Nathaniel Wallich, fut un temps Super-Intendant du jardin botanique de Calcutta pour le compte de la \u00ab East Indian Company \u00bb.<\/p>\n

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Louidgi Beltrame, The Walking Tree<\/em>, 2014
\nFilm Super 16 mm transfe\u0301re\u0301 sur vide\u0301o HD, 35 mn<\/p>\n

Louidgi Beltrame filme en 16 mm un grand banyan situe\u0301 dans le jardin botanique de Calcutta. Cet arbre, qui a la particularite\u0301 de s\u2019e\u0301tendre en rhizome sur plusieurs centaines de me\u0300tres, est approche\u0301 comme une fore\u0302t de clones, un espace me\u0301taphysique ou\u0300 des histoires refont surface : l\u2019histoire de l\u2019invention et du de\u0301veloppement paralle\u0300le de la photographie et de la te\u0301le\u0301graphie dans le contexte de l\u2019Inde colonise\u0301e, le re\u0302ve de Linne\u0301 selon Foucault, des re\u0301miniscences du cine\u0301ma de Ritwik Ghatak et de Satyajit Ray ou\u0300 re\u0301el et fiction se sont rencontre\u0301s.<\/p>\n

The Walking Tree<\/em>
\nUn film de Louidgi Beltrame<\/p>\n

Avec la voix de Lambert Wilson<\/p>\n

Photographie : Ville Piiipo
\nSon : Te\u0301rence Meunier
\nMusique originale : Ste\u0301phane Laporte Mixage son : Mikae\u0308l Barre
\nProduction exe\u0301cutive : Sumantra Mukherjee<\/p>\n

Sources :
\n– Richard Drayton, Nature\u2019s Government, Yale University Press, 2000
\n– Christopher Pinney, The Coming of Photography in India, The British Library, 2008 – Ritwik Ghatak, Cinema India, Ed. Shampa Banerjee, 1982
\n– Michel Foucault, Les Mots et les Choses, Gallimard, 1966
\n– Satyajit Ray, Our Films Their Films, Ed. Orient Balckswan, 1976<\/p>\n

Un grand merci a\u0300 : Dr Paramjit Singh, Directeur du Botanical Survey of India, Ste\u0301phane Amalir, Directeur de l\u2019Alliance Franc\u0327aise du Bengale, Praneet Soy, Elfi Turpin, Catherine David, Andre\u0301 Fe\u0300vre.<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":14795,"menu_order":0,"template":"","class_list":["post-14790","expositions","type-expositions","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nLOUIDGI BELTRAME | IRENE KOPELMAN | Trois pi\u00e8ges, une cam\u00e9ra | Jousse-entreprise | Art Contemporain<\/title>\n<meta name=\"description\" content=\"Louidgi Beltrame et Irene Kopelman, "Trois pi\u00e8ges, une cam\u00e9ra", galerie Jousse Entreprise, Paris, 11.01.2014 - 22.02.2014 - Galerie Jousse Entreprise\" class=\"yoast-seo-meta-tag\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jousse-entreprise.com\/art-contemporain\/fr\/expositions\/louidgi-beltrame-irene-kopelman-trois-pieges-une-camera\/\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:type\" content=\"article\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:title\" content=\"LOUIDGI BELTRAME | IRENE KOPELMAN | Trois pi\u00e8ges, une cam\u00e9ra | Jousse-entreprise | Art Contemporain\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:description\" content=\"Louidgi Beltrame et Irene Kopelman, "Trois pi\u00e8ges, une cam\u00e9ra", galerie Jousse Entreprise, Paris, 11.01.2014 - 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