{"id":14364,"date":"2021-09-29T13:30:15","date_gmt":"2021-09-29T11:30:15","guid":{"rendered":"https:\/\/www.jousse-entreprise.com\/art-contemporain\/?post_type=expositions&p=14364"},"modified":"2022-02-10T13:50:38","modified_gmt":"2022-02-10T12:50:38","slug":"louidgi-beltrame-como-te-cura-como-levanta-como-florece","status":"publish","type":"expositions","link":"https:\/\/www.jousse-entreprise.com\/art-contemporain\/fr\/expositions\/louidgi-beltrame-como-te-cura-como-levanta-como-florece\/","title":{"rendered":"LOUIDGI BELTRAME |\u00a0C\u00f3mo te cura, c\u00f3mo levanta, c\u00f3mo florece"},"content":{"rendered":"

\u00ab\u00a0C\u00f3mo te cura, c\u00f3mo levanta, c\u00f3mo florece<\/em> (2021) est une installation sonore de l’artiste\u00a0Louidgi Beltrame\u00a0qui enregistre les \u00e9v\u00e9nements audibles qui se produisent lors de c\u00e9r\u00e9monies de gu\u00e9rison collectives – connues sous le nom de\u00a0Mesas<\/i>\u00a0– dirig\u00e9es par le ma\u00eetre gu\u00e9risseur\u00a0Jos\u00e9 Levis Pic\u00f3n\u00a0.\u00a0La pi\u00e8ce sonore \u2013 qui cherche \u00e0 transposer l\u2019espace et le temps du rituel \u00e0 l\u2019exposition \u2013 a \u00e9t\u00e9 d\u00e9velopp\u00e9e sp\u00e9cialement pour MAC Lima et est le fruit d\u2019une \u00e9troite collaboration entre l\u2019artiste et le gu\u00e9risseur, qui travaillent ensemble depuis 2015.<\/p>\n

Bien que les\u00a0Tables <\/i>ne\u00a0soient qu’une des nombreuses manifestations de la m\u00e9decine vernaculaire pratiqu\u00e9e dans le P\u00e9rou contemporain, elles sont aussi l’une des plus stigmatis\u00e9es en raison de leur relation avec l’ingestion de psych\u00e9d\u00e9liques et les \u00e9tats de conscience \u00e9largis.\u00a0En effet, la c\u00e9r\u00e9monie se d\u00e9roule dans la clandestinit\u00e9, toute la nuit et dans l’obscurit\u00e9 la plus totale, autour de la transe produite par l’ingestion de San Pedro, un cactus psychoactif dont l’utilisation rituelle la plus ancienne dans notre pays remonte \u00e0 trois mille ans.\u00a0Le gu\u00e9risseur navigue dans cette transe, avec ses patients, avec l’aide d’un groupe d’assistants et d’un autel syncr\u00e9tique qui rassemble des objets de l’imagerie chr\u00e9tienne et indig\u00e8ne.\u00a0La Table<\/em>\u00a0culmine \u00e0 l’aube, apr\u00e8s que chaque patient a eu un moment seul pour discuter avec le gu\u00e9risseur de l’inconfort qui l’afflige et recevoir ensuite un dernier bain fleuri qui renforce sa gu\u00e9rison.<\/p>\n

Le dualisme qui traverse les\u00a0Tables<\/i>\u00a0a souvent \u00e9t\u00e9 lu comme l’affrontement entre le chr\u00e9tien et le pa\u00efen.\u00a0Une telle interpr\u00e9tation n’est pas \u00e9trange dans un pays \u00e0 pr\u00e9dominance catholique avec une histoire coloniale qui a inclus une conversion violente au christianisme de la population indig\u00e8ne et a \u00e9tabli une \u00e9quivalence entre l’idol\u00e2trie et l’indig\u00e8ne.\u00a0Cependant, la r\u00e9alit\u00e9 est que – \u00e0 ce jour – les\u00a0Tables<\/i>\u00a0sont un cas paradigmatique de syncr\u00e9tisme et int\u00e8grent une s\u00e9rie h\u00e9t\u00e9rog\u00e8ne de traditions qui, n\u00e9anmoins, donnent une centralit\u00e9 \u00e0 la dimension spirituelle de l’existence humaine : catholicisme, foi dans les huacas<\/em> et autres divinit\u00e9s indig\u00e8nes, herboristerie, spiritisme et m\u00eame le nouvel \u00e2ge.<\/p>\n

C\u00f3mo te cura, c\u00f3mo levanta, c\u00f3mo florece<\/em> tire son titre d’une des phrases chant\u00e9es par Pic\u00f3n pendant le rituel. La pi\u00e8ce sonore est compos\u00e9e de douze\u00a0Tables<\/i>\u00a0compress\u00e9es\u00a0en pr\u00e8s de trois heures qui reproduisent l’ordre r\u00e9gulier de la c\u00e9r\u00e9monie.\u00a0L’espace d’exposition, quant \u00e0 lui, a \u00e9t\u00e9 con\u00e7u pour \u00e9voquer la salle d’apparat de Pic\u00f3n et g\u00e9n\u00e9rer les conditions n\u00e9cessaires \u00e0 une \u00e9coute profonde avec le minimum de ressources possibles : un rideau de nattes, des chaises en plastique dispos\u00e9es en cercle et la vue vers le jardin ext\u00e9rieur du mus\u00e9e obscurci par un filtre UV faisant allusion \u00e0 la situation cr\u00e9pusculaire dans laquelle se d\u00e9roule habituellement le rituel.<\/p>\n

Tout au long de C\u00f3mo te cura, c\u00f3mo levanta, c\u00f3mo florece<\/em>, <\/i>les\u00a0auditeurs reconna\u00eetront la voix de Pic\u00f3n dans de multiples registres : chants, sons gutturaux, sifflements et invocations qui sont parfois prononc\u00e9s \u00e0 haute voix et parfois sous forme de murmures.\u00a0Cependant, ils identifieront \u00e9galement les sons produits par le corps des patients, les assistants du curandero et les objets qui font partie de l’autel dans leur interaction pendant la danse, le nettoyage et la floraison.\u00a0C’est-\u00e0-dire un large \u00e9ventail de corps et de pr\u00e9sences mat\u00e9rielles convertis en forces \u00e9nerg\u00e9tiques qui parviennent ensemble \u00e0 transposer l’exp\u00e9rience extatique et synesth\u00e9sique provoqu\u00e9e par le rituel.<\/p>\n

Les\u00a0Tables<\/i>\u00a0poursuivent la r\u00e9int\u00e9gration du patient vers une r\u00e9alit\u00e9 dans laquelle les dimensions physique, mentale, sociale et spirituelle sont pleinement reconnues et honor\u00e9es comme faisant partie d’un tout dynamique et indivisible.\u00a0Dans ce syst\u00e8me de pens\u00e9e, le son fonctionne non seulement comme moyen de communication et de connaissance, mais aussi comme moyen de diagnostic et de gu\u00e9rison.\u00a0Alors, \u00e9couter C\u00f3mo te cura, c\u00f3mo levanta, c\u00f3mo florece<\/em>\u00a0nous fait participer \u00e0 une exp\u00e9rience de gu\u00e9rison enregistr\u00e9e par Beltrame dans son d\u00e9sir de documenter une forme de production culturelle qui se passe clandestinement, de l’introduire dans l’espace et le temps \u00ab\u00a0public \u00bb de l’art, mais en pr\u00e9servant son opacit\u00e9.\u00a0\u00bb<\/p>\n

Florence Portocarrero<\/p>\n","protected":false},"featured_media":15296,"menu_order":0,"template":"","class_list":["post-14364","expositions","type-expositions","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nLOUIDGI BELTRAME |\u00a0C\u00f3mo te cura, c\u00f3mo levanta, c\u00f3mo florece | Jousse-entreprise | Art Contemporain<\/title>\n<meta name=\"description\" content=\"Louidgi Beltrame, "C\u00f3mo te cura, c\u00f3mo levanta, c\u00f3mo florece", MAC Lima, 30.09.2021 - 27.02.2022 - Galerie Jousse Entreprise\" class=\"yoast-seo-meta-tag\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jousse-entreprise.com\/art-contemporain\/fr\/expositions\/louidgi-beltrame-como-te-cura-como-levanta-como-florece\/\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:type\" content=\"article\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:title\" content=\"LOUIDGI BELTRAME |\u00a0C\u00f3mo te cura, c\u00f3mo levanta, c\u00f3mo florece | Jousse-entreprise | Art Contemporain\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:description\" content=\"Louidgi Beltrame, "C\u00f3mo te cura, c\u00f3mo levanta, c\u00f3mo florece", MAC Lima, 30.09.2021 - 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