{"id":13771,"date":"2021-06-22T15:52:55","date_gmt":"2021-06-22T13:52:55","guid":{"rendered":"https:\/\/www.jousse-entreprise.com\/art-contemporain\/?post_type=expositions&p=13771"},"modified":"2021-10-02T16:34:28","modified_gmt":"2021-10-02T14:34:28","slug":"louidgi-beltrame-flatland-abstractions-narratives-1","status":"publish","type":"expositions","link":"https:\/\/www.jousse-entreprise.com\/art-contemporain\/fr\/expositions\/louidgi-beltrame-flatland-abstractions-narratives-1\/","title":{"rendered":"LOUIDGI BELTRAME | Flatland | Abstractions narratives #1"},"content":{"rendered":"
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En 1884, le professeur et the\u0301ologien anglais Edwin A. Abbott (1838-1926) publie Flatland, une aventure a\u0300 plusieurs dimensions, un re\u0301cit alle\u0301gorique contre le dogmatisme dont
\nles protagonistes sont uniquement des formes ge\u0301ome\u0301triques. Le narrateur, un carre\u0301 originaire de \u00ab Flatland \u00bb, un monde en deux dimensions, y raconte sa de\u0301couverte de<\/p>\n

\u00ab Spaceland \u00bb, un monde en trois dimensions.
\nDe retour dans sa contre\u0301e, un univers ou\u0300 tout est plat, ce carre\u0301 se confronte a\u0300 l\u2019impos- sibilite\u0301 de convaincre sa communaute\u0301 de l\u2019existence d\u2019une 3e dimension, pour elle inexorablement impensable et invisible. De\u0301clare\u0301 he\u0301re\u0301tique, il est alors enferme\u0301 en prison, et c\u2019est depuis sa geo\u0302le qu\u2019il fait le re\u0301cit de sa re\u0301ve\u0301lation et de son infortune.<\/p>\n

L\u2019exposition Flatland \/ Abstractions narratives #1 se concentre sur des artistes faisant doublement e\u0301cho dans le domaine des arts visuels au livre d\u2019Edwin A. Abbott. D\u2019une part, parce que les artistes ici se\u0301lectionne\u0301s composent des re\u0301cits a\u0300 partir de formes abstraites ; d\u2019autre part, parce qu\u2019en te\u0301lescopant les notions d\u2019\u00ab abstraction \u00bb et de \u00ab narration \u00bb, ils peuvent e\u0302tre conside\u0301re\u0301s comme he\u0301re\u0301tiques du point de vue d\u2019une certaine histoire de l\u2019art, reprenant ainsi en quelque sorte le ro\u0302le du Carre\u0301 d\u2019Abbott.<\/p>\n

Inse\u0301parable de la modernite\u0301 artistique, l\u2019abstraction s\u2019est en grande partie fonde\u0301e sur le rejet de la narration et du symbolisme dans le champ des arts visuels. Prenant souvent la musique pour mode\u0300le, les pionniers de l\u2019abstraction au XXe sie\u0300cle ont cherche\u0301 a\u0300 cre\u0301er des langages plastiques autonomes, de\u0301gage\u0301s de toute dimension symbolique et narrative,<\/p>\n

au profit de dimensions strictement expressives et sensibles, de l\u2019ordre du visible et de la sensation. C\u2019est pourquoi, associer \u00ab abstraction \u00bb et \u00ab narration \u00bb pourrait tout d\u2019abord passer pour une contradiction dans les termes, contradiction pourtant remise en ques- tion par un grand nombre de productions contemporaines.<\/p>\n

En effet, par-dela\u0300 la diversite\u0301 des questions aborde\u0301es par les artistes ici re\u0301unis, chacun d\u2019eux compose des re\u0301cits a\u0300 partir de formes abstraites, souvent inspire\u0301es de la modernite\u0301 artistique, qu\u2019ils chargent de re\u0301fe\u0301rences artistiques et extra-artistiques.<\/p>\n

De prime abord, ces abstractions narratives pre\u0301sentent des formes et des couleurs d\u2019ordre strictement pictural ou sculptural, de\u0301nue\u0301es de toute signification, c\u2019est-a\u0300-dire de tout caracte\u0300re symbolique et narratif. Pourtant, un regard analytique nous permet de dis- tinguer trois principaux proce\u0301de\u0301s de sce\u0301narisation des formes, non exclusifs les uns des autres, voire le plus souvent interde\u0301pendants.
\nD\u2019une part, un proce\u0301de\u0301 de codification : des formes et des couleurs abstraites se
\nre\u0301ve\u0300lent e\u0302tre des signes, des pictogrammes et des ide\u0301ogrammes articule\u0301s en re\u0301cits (Guy de Cointet, Peter Halley, Jugnet + Clairet, Harald Klingelho\u0308ller, Matt Mullican, Julien Ne\u0301de\u0301lec).<\/p>\n

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D\u2019autre part, un proce\u0301de\u0301 de condensation : des formes et des couleurs a priori stric- tement picturales ou sculpturales sont en re\u0301alite\u0301 des hybridations de vocabulaires he\u0301te\u0301roge\u0300nes, issus de diffe\u0301rents domaines (histoire des arts, sciences, science-fiction, cultures populaires). Sur le mode\u0300le des mix ou des samples musicaux, ces vocabu- laires sont condense\u0301s visuellement sans recours a\u0300 un code symbolique (Cyril Aboucaya, Wilfrid Almendra, Sylvain Azam, Becky Beasley, Rana Begum, Louidgi Beltrame, Karina Bisch, Simon Boudvin, Simon Collet, Philippe Decrauzat, Tarik Kiswanson, Pierre Labat, John McCracken, Fabio Mauri, Bruno Peinado, Manfred Pernice, Mai-Thu Perret, Bojan S\u030carc\u030cevic\u0301, Blair Thurman).<\/p>\n

Enfin, un proce\u0301de\u0301 de suggestion : des formes et des couleurs abstraites sugge\u0300rent
\npar des effets de texture et de matie\u0300re des sensations et des atmosphe\u0300res trame\u0301es de multiples re\u0301cits (Lae\u0308titia Badaut Haussmann, Jessica Boubetra, Thea Djordjadze, Sonia Kacem, Vera Kox, Damia\u0301n Navarro).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":13772,"menu_order":0,"template":"","class_list":["post-13771","expositions","type-expositions","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nLOUIDGI BELTRAME | Flatland | Abstractions narratives #1 | Jousse-entreprise | Art Contemporain<\/title>\n<meta name=\"description\" content=\"Louidgi Beltrame, "Flatland | Abstractions narratives #1", MRAC S\u00e9rignan, 06.11.2016 - 19.02.2017 - Galerie Jousse Entreprise\" class=\"yoast-seo-meta-tag\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jousse-entreprise.com\/art-contemporain\/fr\/expositions\/louidgi-beltrame-flatland-abstractions-narratives-1\/\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:type\" content=\"article\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:title\" content=\"LOUIDGI BELTRAME | Flatland | Abstractions narratives #1 | Jousse-entreprise | Art Contemporain\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:description\" content=\"Louidgi Beltrame, "Flatland | Abstractions narratives #1", MRAC S\u00e9rignan, 06.11.2016 - 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